From film: Your original transparency or negative is scanned using an Imacon 848 scanner, using a wide gamut working space. The file is then brought to a workstation where we try to accurately reproduce your original and/or follow your specific instructions. Dirt and scratches are removed. The digital file is then transferred to the digital printer where it is exposed via LED onto Fuji Paper, and then processed through a conventional RA-4 Paper Processor.

From digital capture: Your Raw capture or Uncompressed Tif file is brought to a workstation where we use our years of Color Correction experience to "tweak" your file from our own interpretation or to your specific instructions. Our Color Managed workflow closes the loop, thus allowing for accurate colors throughout the entire process for a predictable outcome. Photographers can focus their efforts capturing the images that we will make perfect through our efforts in the lab.